Thursday, 5 April 2018
Goals for 504
For my 504 I want to push my craft into something more developed. I really feel comfortable with paper cut and the print process after 503 therefore, I would like to push this further on 504 by developing it through adding more texture and detail to it. I want to take this out my comfort zone by experimenting with media i'm less comfortable with such as paint and pencil crayon to see if it could develop my images in a more detailed way however i don't want to take away the naivety and humour within my work by doing this. can i develop my work to make an image funny without it being badly drawn? or does the badly drawn aesthetic boost the humour. I hope by May i have developed paper cut work and researched into creating a strong visual joke within my illustration. I would like to develop this so my visual humour could be enjoyed by someone who doesn't even know me as a person.
Wednesday, 17 January 2018
Study Task 6!
From in the past of buying prints at print fairs and shops i have a looked at how to package prints effectively. From looking at places like village books and gallery shops in the past i have been familiar with the classic way of packaging a print, this usually involves it in a clear sealed plastic wallet backed by a strong piece of card. This gives it a professional look and keeps it from becoming damaged by human contact or weather.
This is an example from the shop The Family Store. As you can see all the prints are packaged in plastic wrap and layered with card and then supposedly stuck to the wall with magnets.
This is a good way to hang them without getting damaged.
Other ways to present them are like in this image below. In this one they have wrapped the print in a card cover tied with string which gives it a very high quality look and would be an effective way to package a very expensive print.
This is an example from the shop The Family Store. As you can see all the prints are packaged in plastic wrap and layered with card and then supposedly stuck to the wall with magnets.
This is a good way to hang them without getting damaged.
Other ways to present them are like in this image below. In this one they have wrapped the print in a card cover tied with string which gives it a very high quality look and would be an effective way to package a very expensive print.
Printed pictures
Here are my final screen prints and there original images
Throughout this brief I have got fully into printing especially lino and screen 2 methods of crafting that I originally disliked until i really got stuck in after much repetition of the process
My ideas behind these images came from the "Meaning of Lyff" which is a very visual book full of words bursting with narratives. Most of these followed quite adult themes which would support the humour within the images that I would create.
All these prints started off as rough little sketches from some of my favourite words, I then went on to develop these further with paper cut outs which is a process i'm comfortable with and can also be very easy for screen printing negatives. Within the project I tried to do some of these images as lino prints, this is a process that with my recklessness i find difficult however the mistakes within my cuts sometimes made interesting textures and marks within the prints. Therefore, even though the lino cuts didn't make the finals i do think i will continue to explore this process.
When it came to screen printing my prints became more clean the more I did it. Throughout making these prints i made a few mistakes with my either my exposing or printing sometimes the mistakes where effective other times frustrating. These helped me long term however as i now feel a lot more confident on the process.
I originally planned to make these prints into a zine but decided against that as i didn't want to digitally print it and lose the artificialness of the print. Therefore, I decided to combine the idea of the zine (which was to do a small version of the book with my illustrations) and translate that as a singular print. I got influence from the Mai 68 book pages of it being a screen print with a bit of informative text at the bottom. making it look more like an encyclopaedia. If i had more time it would be nice to make an A3 size book with the prints and many more as i more developed outcome.
Overall, i really enjoyed my time exploring the process of printing and i think screen printing especially will be a good direction for development in my future work as i enjoy crafting with paper cut outs. Therefore screen printing will be a good way for me to play around with the image and change the colours and textures of my work.
Throughout this brief I have got fully into printing especially lino and screen 2 methods of crafting that I originally disliked until i really got stuck in after much repetition of the process
My ideas behind these images came from the "Meaning of Lyff" which is a very visual book full of words bursting with narratives. Most of these followed quite adult themes which would support the humour within the images that I would create.
I originally planned to make these prints into a zine but decided against that as i didn't want to digitally print it and lose the artificialness of the print. Therefore, I decided to combine the idea of the zine (which was to do a small version of the book with my illustrations) and translate that as a singular print. I got influence from the Mai 68 book pages of it being a screen print with a bit of informative text at the bottom. making it look more like an encyclopaedia. If i had more time it would be nice to make an A3 size book with the prints and many more as i more developed outcome.
Overall, i really enjoyed my time exploring the process of printing and i think screen printing especially will be a good direction for development in my future work as i enjoy crafting with paper cut outs. Therefore screen printing will be a good way for me to play around with the image and change the colours and textures of my work.
Moving Picture
Here is my 15 second sting for the moving image project.
From the begining of this project i had a very strong (although slightly unusual) image of what i wanted to animate.With the very narrative ideas from the book " The Meaning of Lyff " I knew that the ideas wouldn't be the hard part it was using the very new to me Adobe After Effects. I attended the sessions which was very useful for me but when trying to create on a new softwear it's always going to be complicated. With after effects it was mainly about playing around and getting things wrong enough to learn how to finally use it.
The process of making this orginally came from my storyboard which i created during the fun session with David Bunting i had a clear image of using this print from the start although i do think that each one of my 5 prints would of all worked well on After Affects. I always wanted to keep the Aesthetic of the Screen Print, therefore, I only did slight alterations on photoshop with the levels to strengthen the colours and tones.
Once it was scanned in I was ready to start animating. To get the animation how i wanted i had to place anchor points in certain places within the dog and the hand i wanted to keep give the animation a slight paper cut out, stop motion affect. Therefore, I made the rotation on the dog more jittery to help give the animation a more silly and comedic effect.
When it came to the sound i wanted to give my animation a sort of sleazy jazz club bass. I got influenced by this from old cartoons and kids shows like "Blues Clues". I created this with my friend on logic pro x it's not to complicated but i think the simple bass help add to the rudeness of it all.
Once i had my music down i wanted to create some sound effects to make this even more uncomfortable. This part was easy i just made some dog panting noises down a microphone and then added it in.
Overall I am happy with the outcome of my sting, although I do believe that the outcome could of potentially been better. I think if i animated the man a little more it would of made it more interesting on an animation level. However i wanted to keep that simple effect and put all concentration on the dog and it's misbehaving.
Sunday, 14 January 2018
Study Task 5!
Ruff Mercy
Ruff Mercys animation are a great representation on how image can move and be influenced by the music behind it. This song in particular is interesting as it has dialogue at the beginning which is then animated with messy constantly moving words. the animations add liveliness to all the songs that he has made videos for with the animation changing and transitioning to the beat.
Manabu Himeda
I chose this one mainly for the song, as i am looking for an up beat style piano for my animation and this one has a similar wacky vibe to what i am looking for. However, in terms of this animation it is incredibly fun and humorous which matches the aesthetic of the song.
Study Task 4!
Max Litvinov
One element that really stands out to me with Max's animations is how he twists the shapes and dimensions of his drawings to give it a fun, classic cartoon effect. in an interview he mentions
“I spend hours and hours adjusting geometry of each frame to make the movement look as interesting and alluring as possible. While actually enjoying this process.” This inspires me to be playful with the after effects process and expect it eventually look different to the outcome that i am imaging.
Tessa Chong and Lee Arkapaw
This animation is wonderfully crafted it moves about as one changing frame with constant transitions into the next scenes. This is something that is very capable on after effects and might be an interesting development for my sting transitioning between different "Meaning of Liff" words.
Frances Haszard
Frances' constant moving animation adds so much liveliness to each drawing. The bold bright shapes wobble, warp and dissolve. the images all look like they are built up of layers that subtly alter the colours of the images to which adds an interesting effect to the colours of the animation. This makes me want to be very playful with my layers and maybe change the opacity and movement to alter the drawing.
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